of the Construction of
Alfred
North Whitehead’s and Bertrand Russell’s
Principia
Mathematica to *56
Detailed
for his use by Comic Book Shaman
Fletcher Hanks’
Stardust
© Respective
copyright holders.
Denoting Variables and Constants:
Small letters of ordinary alphabet are all used as variables
(except “p” and “s” after
*40 when p and s are assigned as constants.)
Capital letters used as constants:
B, C, D, E,
F, I and J.
p, q, r : propositional letters that will stand for variable propositions to *40: onwards “p” must not be used as a variable.
f, g, φ phi, ψ psi, χ chi, θ theta, and (until *33) F :
Functional letters
that will not be used
for variable functions.
variable relationships: Capitals
variables not given as necessarily classes or relations:
small Latin letters
These early
posts are more abbreviated in relation to Whitehead and Russell’s original text
than later posts will be. I hear Bertrand Russell’s voice so clearly in this
introduction that I would judge that he actually wrote this, but expressing, I
suppose both men’s thought discussed at length between them. I stress this is
only my feeling, and the point is of no importance, but the text delights me to
a great degree, as has every other Russell work I have read, and in the same
fashion.
Dan DeCarlo The
greatest of all time comic book artist!
Archie Andrews
and Betty Cooper © Respective
copyright/trademark holders
Beginning here
to define terms that will express the work, these are largely familiar from the
study of mathematics. However the authors are persistent in saying within the
work, and I am reinforcing here with my own voice, that the title Principia
Mathematica is a sort of joke. The work is one of metaphysics, in which the
introduction constructs a wondrous web of means of thought and expression of
fine distinction. Then the Body of the work expresses this new metaphysical construct
in discussing mathematics.
In every
discussion or analysis of Whitehead and Russell’s Principia Mathematica soon
they want to change, modernize and simplify the work to conform to other
agendas they have, usually in making the present work into one of mathematics.
This is a mistake, for the goal of this work is to develop a condition of the
mind in the reader that did not exist before beginning it. If one feels that it is
necessary to change or simplify this work, you are playing in the wrong
sandbox.
Stan Lee (co-plot,
dialogue), Plot, Pencils and Inks: Bill Everett
Doctor Strange © Respective copyright/trademark holders.
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